Tiyoko HashimotoInstrutora de mergulho livre, mergulho autônomo e mergulhadora em formação no mergulho profissional raso LinkedIn Profile O mergulho faz parte de uma série de habilidades para quem busca a carreira astronáutica. Por quê? A água é cerca de 800 vezes mais densa que o ar, o que dificulta a movimentação subaquática, exigindo além de mais esforço, uma movimentação mais lenta para evitar fadiga que pode levar mergulhadores inexperientes a até abortar o mergulho. Além disso, a flutuabilidade neutra, ou seja, a capacidade de "boiar" na água permite que o praticante tenha a sensação semelhante à da microgravidade. Para fazer uso da flutuabilidade neutra como treinamento, as agências espaciais têm usado, ao longo dos anos, laboratórios subaquáticos como o NBL (Neutral Buoyancy Laboratory), localizado em Houston, no Texas, Estados Unidos e que faz parte do complexo da NASA. Segundo a NASA, possui 61,21 metros de comprimento, 30,90 de largura e 12,12 metros de profundidade e permite treinamentos como caminhadas espaciais, comunicação e segurança, além de permitir testes com equipamentos de vídeo e trajes espaciais.
Na ESA (Agência Espacial Europeia), em Colônia, Alemanha, os astronautas são certificados no nível de mergulhadores de resgate. Esse conhecimento, segundo a ESA, permite melhor desempenho dos astronautas nas caminhadas espaciais e permite que previnam problemas e saibam lidar com emergências de modo adequado. De acordo com a NASA, os astronautas utilizam nitrox (mistura de nitrogênio com uma porcentagem maior de oxigênio, também conhecido como ar enriquecido no mergulho) durante as sessões de treinamento no NBL. No mergulho dependente saturado não há perda de ar, nem se solta bolhas, como ocorre no mergulho recreativo. Todo o material exalado durante um mergulho saturado, que pode ir até 320 metros de profundidade, é recaptado, reciclado, para depois ser usado novamente na respiração. Isso ocorre porque o gás em questão, além do oxigênio, é o hélio, que tem um custo bastante elevado. Alguns filmes de grande bilheteria, como Armageddon (1998) do diretor Michael Bay, já se aproximaram do tema de usar plataformas de petróleo como referência de um universo remoto; esse é um outro ponto importante em que se associa o uso do mergulho no treinamento de astronautas: o isolamento social e físico. Debaixo d'água usa-se comunicação por meio de sinais padronizados mundialmente e segue-se protocolos simples e claros para a comunicação não verbal. Os equipamentos de astronautas e mergulhadores profissionais profundos possuem fonia, ou seja, um equipamento que permite a comunicação oral. Em situações extremas, no entanto, quando a fonia se rompe ou há interferências impossibilitando a comunicação, a comunicação não-oral ainda se mostra importante, como podemos observar em uma cena de extremo stress do filme baseado em fatos reais, Last Breath (2019), em que um mergulhador profissional se vê sozinho no fundo do Mar do Norte sem suprimento de ar aos 90 metros de profundidade. O filme reflete também mais uma equivalência utilizada durante os treinamentos de mergulho nos de astronáutica: o preparo mental.
Durante um mergulho, facilmente as coisas podem sair errado e, para cada situação de emergência, há um protocolo a ser seguido. As causas dos acidentes de mergulho, segundo o presidente da DAN (Divers Alert Network), em 88% das fatalidades ocorreram na primeira viagem de mergulho, sendo que o maior fator foi o erro humano. Entende-se que o treinamento de astronautas na água permite uma maior familiaridade do profissional com os procedimentos necessários em cada tarefa, o que significa redução nos custos operacionais, maior confiança e segurança para a realização das missões bem como maior probabilidade de sucesso.  This blog is promoted and supported by the AquaMundo Working Group Anna Karahan European Space Foundation - ERC Coordinator & Inspiration Zone producer It’s 2077 We have been expanding our presence on Mars for several decades now, which involves trial missions, in-depth research, terrain checking, the first human landing on the surface of the Red Planet and the creation of a scientific base. Driven by curiosity and the desire to learn and expand the human possibilities of adapting to new living conditions, we decide to establish colonies on Mars. The inhabitants of the new Martian city-states are not accidental. They were selected based on their health, intellectual and psychological abilities as well as the skills they will contribute to building a new society, drawing on the lessons learned from the mistakes made on Earth... Warsaw, 4-6 March 2022 25 students, divided into interdisciplinary groups, begin working on the project of five Martian colonies. They include representatives of geology, law, architecture, design, and culture. Supported by mentors, they try to find answers to the following question: What location on Mars will be the most appropriate for their colony, considering the possibility of easy landing and take-off, access to a water source, as well as the scientific and soil-forming potential of the area? In terms of architecture and design, they must remember about the impact of temperature, sandstorms, harmful radiation, and meteorite strikes, but also make sure the colonies are self-sufficient and provide shelter for thousands of people. Also in the spotlight are such important questions as: How will our senses react on Mars? What do we, as humans, need to survive in an extreme environment? The Mars Colony Hackathon participants also discuss whether they want to transfer to Mars the current Earth culture as well as the economic and political status quo, or... on the contrary? Should they take the current trends in sustainability, climate change, inequality, diversity, and the impact of technology on people into account? What values, traditions and rituals will accompany them? Another sol of 2077 begins.
There are already five colonies on Mars: IGNIS, MARIS, MONADA, M.O.D. AND WEST COAST COLONY. They are all self-sufficient, but willingly cooperate with one another and with Earth in the exchange of goods, know-how as well as education and tourism. They all signed a non-aggression pact. Goods are transported by centrifugal force technology, and people move between colonies on sub-orbital rocket flights. In the close vicinity, inhabitants travel by rovers. We visit the IGNIS colony, located in the Athabasca Valley in the Elysium Planitia region. It arose from a research colony founded in the 2040s by the International Organisation whose inhabitants revolted and declared independence. The main IGNIS doctrine in international relations is not getting involved in the political affairs on Earth. Its inhabitants live in symbiosis with nature, and they base their sustainable development on science. They obtain water thanks from the nearby pingos, and their source of energy is a cosmic solar power plant in a geostationary orbit, sending energy in the form of high-frequency radio beams. The power plant has movable panels, which enable the plant to draw energy throughout the day and night. The inhabitants expect that at a later stage the development of the energy sector will be based on small modular reactors (SMR). The IGNIS system is a hybrid of the republic and direct democracy. Everything that is produced in the colony as well as all the tools and items that the inhabitants use belong to the republic and are used on a shared basis. 
We continue our journey to visit the MARIS colony, located in Valles Marineris.
As a result of human activities on Earth, the climate crisis deepened, natural resources were depleted, and biodiversity was disappearing. In the social field, we were affected by wars, social inequality, discrimination, and polarisation. The human condition was also deteriorating because of loneliness and civilisation diseases. The founders of MARIS wanted to change that, so they decided to create their Martian colony – a new community based on responsibility and integrity of human beings with the planet, community, and themselves. The local habitat is famous for its hydroponic crops and baths with saunas. The community cares about good mood and mental health of every citizen, which ensures the proper functioning of the entire colony. Therefore, apart from integration, a common dining room, kitchen, or medical, educational and laboratory space, it places great emphasis on providing the inhabitants with private space. As guests, we are invited to one of the capsule-rooms that function as bedrooms. We immediately experience thermal comfort and silence. We can also regulate the amount of light. The whole room is finished with a soft material and there is a pleasant smell in the air... 
Next sol we travel to the northernmost colony of MONADA, located between Mamers Valles and Deutronilus Mensae.
In some philosophical systems, a monad is a basic substance, on the one hand elemental, permeated with individuality, and on the other hand, rich in various types of capital. It gives almost unlimited development opportunities. The MONADA inhabitants treat their colony as an organism which, having a huge and varied potential, can not only develop independently, but also establish relationships with other entities in the world, which is a continuous collection of elementary substances. Its architectural solutions are also based on spherical units, which are self-sufficient and independent in a crisis, but for the sake of proper functioning of the society they connect with one another to form a network. Each unit has the necessary sectors located on different levels: industry, food production, public utilities, such as hospitals, schools, and religious places, as well as housing. Light runs through each sphere from above and cascades across the room. The radial layout of rooms and internal space can be modified by moving the walls. The colony has one of the largest deposits of magnesium-rich sulphur oxide and olivine as well as access to several rubble glaciers which constitute the source of water. MONADA sells its medicines, steel, solutions related to design and architecture, including modular furniture, “my personal sun” lamps, personalised “Martian wallpapers”, aromatic postcards from Mars as well as a patented circulation system and inter-colonial rover loading system both to the countries on Earth and the Martian colonies. 
The next stop on our Martian journey is M.O.D. (Martian allotments), located in Dao Vallis.
It is an international, democratic colony, still dependent on the Earth for the supply of certain raw materials and resources. It was built of modular segments created with a 3D printer and completely hidden under the surface of Martian regolith. The main element of the individual residential modules are internal allotments used for garden cultivation, experimenting, and relaxation. The colony focuses on simplicity and minimalism in limited Martian conditions, hence the white walls of the rooms and easy-to-modify segments. The virtual reality used in the colony, however, allows its inhabitants to create an environment that gives a sense of greater security, avatars, or everyday outfits to express themselves and their individual style. Special overalls worn by the inhabitants check their vital functions, hormone levels, and work-life balance simultaneously. M.O.D. conducts intensive research to increase recyclability and the best possible use of limited Martian resources as well as to develop production and plantations that provide the colony with food and vital products. The joint work of the M.O.D. inhabitants strengthen intergenerational ties, giving an opportunity for integration and talks. Each of the inhabitants undergoes compulsory training to be able to work in various sectors of the habitat if necessary. 
WEST COAST COLONY, located in the Olympus Mont region, is the last stop of our trip.
Separation of powers, peaceful space exploration, cognition and science, high level of education, cooperation between humans and artificial intelligence, transhumanism, and bionics – these are the bases of its functioning. The area chosen by the inhabitants for their colony is convenient not only in terms of living, but also for geological research. The magnesium- and iron-rich basalt rocks present here are a good raw material for construction and the production of soil fertilisers. The colony bases its economy and exports on them. The colony is highly automated. Robots are used in the transport of raw materials and products from/to factories, the production of modular elements for housing, cultivation, services, and even administration. The West Coast Colony inhabitants believe that as humans we have certain limitations, and we must constantly overcome our weaknesses. Therefore, they focus on transhumanism and gene improvement in such a way as to adapt the human body to the difficult Martian conditions. They also place great emphasis on inclusiveness, cultural and social life, common rituals as well as education and learning the truth about the universe. The colony also includes green zones for rest and recreation with plants brought from Earth... 
Warsaw, 6 March 2022 We are going back to Earth. There is a war going on across our eastern border and climate change brings us intense winds, rains, earthquakes, and volcanic eruptions... Some people question the sense of organising such design and humanist workshops or hackathons. But maybe travelling to Mars in our imagination will help us see and express what we do not like here on Earth, change the things that should be changed or even adopt a completely different approach to things we know? Is it not thanks to our dreams and imagination that we are able to look into the future and create the world we want to live in? Not only on Mars, but also here on our planet Earth... The Mars Colony Hackathon was organised by the US Embassy and the European Space Foundation in cooperation with the Polish Space Agency and Venture Café. The workshop took place on 4-6 March 2022 at the Cambridge Innovation Centre in Warsaw. Congratulations to the winning team members: MONADA – Julia Jeka, Karolina Kruszewska, Tomasz Leonik, Oliwia Mandrela and Kamil Serafin. *Blog also published on the European Space Foundation website This blog is promoted and supported by the:  The Stellar Music project in summary - take musical notes generated mathematically from a star, arrange them into a beautiful tune, and then use your imagination to think of unique ways to illustrate the music. To discover how the music was created visit the blog: innovaspace.org/blog/stellar-music Music: - Star used = Delta Cephei, part of the constellation Cepheus - Music arrangement = Miko Mike Oliver Gimao Visuals: - AI-generated visuals = Elerias - Mermaids = Yanyue Lee; Jingfeng Liu; JingYi Lee; Surong Wang; Meijing Lee; & Xiao Qian Bai Enjoy the cosmic music 🌟🌟🌟 In this week that saw the world celebrate International Women's Day, the InnovaSpace team welcome news about the work of Dr Lucia Hartmann & Jasmin Mittag, with a new concept for the shape of future space travel and a desire to promote equality - an ethos we fully support! The "Vulva Spaceship"
The first spacecraft in a V-shape is not only a symbol for more diversity in space, but also state-of-the-art and thus more sustainable. The “Vulva Spaceship” designed by “WBF Aeronautics” represents inclusivity, varying from the traditional shapes. Thus, the project adds another dimension to the representation of humanity in space and is communicating to the world that anyone has a place in the universe, regardless of physical characteristics. Dr. Lucia Hartmann, Head of “WBF Aeronautics” and inventor of the “Vulva Spaceship” reports from her research: “The spaceship’s shape is surprisingly aerodynamic, creating way less drag when the vehicle punches through the Earth’s atmosphere. Due to this optimized V-shape, it guarantees maximum fuel efficiency with an exterior made of reinforced carbon which enables it to withstand the most extreme temperatures.” “WBF Aeronautics” wants to inspire space travel to be open to modern forms and to realise equal opportunities across the universe. The Project "WBF Aeronautics"
“WBF Aeronautics” is a collaboration between Dr. Lucia Hartmann and her team and “Wer braucht Feminismus?” (WBF). Dr. Lucia Hartmann started her research work about spaceships and discovered that a spaceship varying from traditional shapes, would be more aerodynamic and create less drag, thus being more sustainable. She reached out to us for the purpose of a collaboration and for us to do the media work as there is much more to it than just the scientific aspect. On the one hand, the topic is sensitive, but on the other hand, it also holds great opportunities. The symbol of a Spaceship in a V-shape represents more diversity in space. The project adds another dimension to the representation of humanity in space. We believe that equality even has a place in space. It’s time for new symbols in the universe. This blog is promoted and supported by the: 
How can you transform the light of a star into music? To turn the data into sound I used a sonification technique that was developed by Cristian Droppelmann & Ronald Mennickent, in 2018. Rather than transforming the data as carried out by the Fourier Transform and XSonify programs, the Droppelmann and Mennickent formula translates the data into musical notes by calculating the normalized magnitude from the actual magnitude of the star, and the normalized time from the Julian dates of the observation. This can be done using MS Excel because the formula is simple and very easy to code. These normalized values have equivalent musical notes and musical rhythm, respectively, based on a table that they also created. Once translated into musical notes and rhythm, a digital audio workstation (DAW) is used to generate the audio. This audio of the light curve can then be interpreted into a musical piece. Therefore, using this method, we can generate two audios: one is the actual audio of the light curve where there is a corresponding 1:1 ratio of magnitude to musical note, and the other is a 1:1 ratio of Julian dates to musical rhythm. Most of the time, although these musical notes follow a specific key signature and family chords, there are some notes that deviate, meaning, it seems to be out of tune. That is why we also arrange it into a beautiful musical piece.  Mike Gimao evaluating astronomical data The observed star – Delta Cephei, part of the constellation Cepheus The star used for the audio is called Delta Cephei (abbreviated to Del Cep), located approximately 887 light-years away. It is a Type II Cepheid – a variable star type with a period of pulsation between 1 and 50 days. Delta Cephei itself has a period of pulsation of around 5 days, with a visual magnitude that changes within the range of 3.5 to 4.4. It is one of the stars in the Cepheus constellation, as seen in the constellation image below.  Delta Cephei circled in red / Copyright © 2003 Torsten Bronger., CC BY-SA 3.0 The Stellar Music You can check out my stellar music by listening to the two audio files below: 1) Del Cep 2448606.58 to 2448636 - the actual audio of the light curve - not arranged and follows the 1:1 ratio 2) The Joy of Cephei - the arranged audio - this is the musical piece, arranged, and some notes were manipulated for aesthetic purposes. Just remember - the sound that you hear is not from the interior of the star, rather, it is the sound that the light curve creates using the Droppelmann and Mennickent 2018 equations. I hope you enjoy the stellar music… This blog is promoted and supported by the:  Introduction from Eija Salmi, Secretary General, Cumulus Assoc. & Thais Russomano, CEO, InnovaSpace: During the 21st century outer space has become a topic for discussion by passionate people in design universities worldwide. Some institutions have piloted initiatives and have ongoing activities in the art, design and media curriculum focused on space, considering how design can contribute to overcoming the challenges humanity will encounter when exploring this new frontier. We know for certain that living off-Earth will bring multiple challenges that require innovative solutions if we are to inhabit another planet. The field of design will be an essential element in facilitating space life, just as it is present everywhere in our lives here on Earth, whether on its own or collaboratively with other disciplines, such as medicine, engineering etc. Design education and research plays a massive role not only for the design profession, but also for business, industry and other institutional stakeholders in the space era to ensure a good, healthy and secure space future. The aim of this blog today, written by Dr Dolly Daou, is to share knowledge and inspire all of us to rise to the challenges of humanity’s tomorrow in outer space – inspired by design. This is the first in a series! Enjoy and please do share on your social media!  Planet Earth. Air, water, and soil. Sunset, Melbourne, Australia. Photo credit ©Dolly Daou On Planet Earth, we have been accustomed to living our lives conditioned by daily habits; we eat, sleep, cook, work, walk, build, interact according to our environments, grounded by gravity. Culturally, we differ in customs, in habits, we eat different food, we live differently, we speak different languages, however what unifies us is the relationship between our physiology and our topography. This relationship is the result of the universal gravity system and the evolution of beings and their environment on Planet Earth, the Blue Planet. The colour blue refers to the interaction of solar rays with the gases of Earth's atmosphere. Similarly, Planet Mars is known as the Red Planet in reference to the mass of red soil that covers its surface. The colour coding of both planets reflects the relationship between our biological existence and our environmental characteristics, which influence our daily habits and our survival traits on these planets.
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